 |
 |
 |
|
 |
In Satori, Darwin based artist Yoshie Mizuno
uses the concept of mushin (empty mind) to create a Zen garden in
the gallery, presenting the audience with opportunity to reconsider
their own life, values and beliefs. Satori is concerned with the
Japanese concept of beauty - wabi-sabi - a beauty of things imperfect,
impermanent, and incomplete. Gallery 1.
|
 |
Using materials scavenged from the tip, Georgia
Glen creates a human landscape that reflects on questions of ecology
and sustainability.
This is the first of 2 exhibitions awarded to graduates of the School
of Art, Charles Darwin University in 2003. Gallery 2.
|
 |
Curated by Dave Griffiths and Nick Jordan
www.pharmakon.co.uk/codecx
Codec/x features recent work by artists and musicians based
in the north-west of the UK and aims to promote collaboration and
experimentation in sound and visual art. Including animation, performance,
text, noise, found objects, tape and abstraction, the compilation
encourages discourse about technology, materials, and conventions
in contemporary practice. New Media Space.
|
 |
 |
Open to all current 24HR Art members, Ramp
is the 14th annual 24HR Art Members’ show. Providing a snap-shot
of the varied, vibrant tapestry of art produced in the Northern
Territory.
|
 |
 |
What did the early pioneers see, how strong
were their powers of perception, how clear their vision? This video
art exhibition examines the vision of one early missionary and explores
how she herself was perceived. Gallery 1.
|
| |
 |
This series of nine black and white images
by Sydney based photographic artist Cherine Fahd challenges ideas
about landscape and how it is experienced, documented and perceived.
It questions the Australian landscape painting tradition that has,
on the whole, excluded women from the role of adventurer.Gallery
2.
|
| |
 |
Cinema Program 1 › Home Fictions
With everything from domestic robot love stories to the tale of
a fridge that eats people, this program of contemporary short films,
videos and animations turns home truths into fantastic fictions.
New Media Space.
Cinema Program 2 › Utopian Promises
Utopian Promises features a documentary that turns the history of
the Finnish designed Futuro House of the 60s into a story of full
international colour and drama; a program of rare 50s TV commercials
depicting our past visions of the future; PLUS a collection of imaginary
TV commercials promoting technology of the future (commissioned
exclusively for the Experimenta House of Tomorrow). New Media Space.
|
 |
 |
Curated by Franz Ehmann
Robert Musil states “that art is subversive because art is
love; it beautifies its object by loving it, and there may be no
other way in this world to beautify a thing or a creature than by
loving it.” In this exhibition the audience is asked to put
aside any need to articulate abstract theoretical concerns, and
to consider the artwork as an act of love. Gallery 1 & 2.
|
|
|
 |
This site specific installation work investigates
the space of the gallery captured as recorded sound. Remapping the
boundaries of the space with ‘sonic drawings’, Larissa
Linnell presents the audience with a translated experience of the
gallery. New Media Space.
|