Looking beyond the stereotype of bungalow and bowling club, this exhibition focuses on photomedia that reflects the edgier realities of Australian suburbia today. It explores two emerging concerns for many young people – the affirmation of the self through challenge and the construction of identity through mass media. From extreme skating to body piercing, from teenage sexuality to hooning, the exhibition brings together photography, video, installation and performance work in a dramatic and at times provocative experience.

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Continuing her interest in creating sites for private reverie, Anne Ooms’ installation comprises a series of miniature mountain scapes and accompanying maps in which to imagine things unsaid. Gallery 1

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A sculptural installation exploring the linear nature of relationships between people, space and place. It extends the artist’s fascination with journeys and the concept of travel as motion through eternal and (un)determined routes. Gallery 2

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We imagine what is beneath the surface of the earth and we find the miracle of an inverted mirror world. Up on the surface everything is supposedly the right way up. Things down below seem much the same only upside down.
This work forms part of an ongoing series of field studies that have taken place over a number of years and form the ground of the artists collaborative practice in sound, in constructing images, models, objects and installations. Screening Room

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This work is an exploration of the way in which desire operates, sifting through and reinventing our experiences of desire thereby recreating reality. They are poetic gestures: markers of internal wanderings and attempts to articulate a quivering sense of self. Gallery 1

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Traditional lace making has always been a physical process. The pattern is built stitch-by-stitch and round by round, or row-by-row. Kennings work attempts to open this system through a computer program that randomly generates evolving lace patterns, examining the aesthetics of pattern and the systems of aesthetics. Gallery 2

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A selection of South East Asian video works that emerge from or explore situations where different cultures intersect. Including ‘ReEnacting Rima’ by Victoria Cattoni and ‘Where do you actually come from’ by Tintin Wulia. Screening Room.

 

 

Investigating the structure and aesthetic of global linguistic diversity and the threat of language extinctions through a series of still and animated digital constructions. Gallery 1 & Screening Room

A prolonged exploration into abstract painting as a "feminine" language, a single surface has been systematically reworked and the process documented over a year's duration. Gallery 1

A work compiled of a large collection of compressed web videos reconfigured into a personal format or 'self-codification'. Rotoscoping is an animation technique whereby a transparent layer is placed above the original highly compressed video, a graphics tablet is then used to trace onto the transparent layer. Gallery 2