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Looking beyond the stereotype of bungalow and
bowling club, this exhibition focuses on photomedia that reflects
the edgier realities of Australian suburbia today. It explores two
emerging concerns for many young people – the affirmation
of the self through challenge and the construction of identity through
mass media. From extreme skating to body piercing, from teenage
sexuality to hooning, the exhibition brings together photography,
video, installation and performance work in a dramatic and at times
provocative experience.
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Continuing her interest in creating sites for
private reverie, Anne Ooms’ installation comprises a series
of miniature mountain scapes and accompanying maps in which to imagine
things unsaid. Gallery 1
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A sculptural installation exploring the linear
nature of relationships between people, space and place. It extends
the artist’s fascination with journeys and the concept of
travel as motion through eternal and (un)determined routes. Gallery
2
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We imagine what is beneath the surface of the
earth and we find the miracle of an inverted mirror world. Up on
the surface everything is supposedly the right way up. Things down
below seem much the same only upside down.
This work forms part of an ongoing series of field studies that
have taken place over a number of years and form the ground of the
artists collaborative practice in sound, in constructing images,
models, objects and installations. Screening Room
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This work is an exploration of the way in which
desire operates, sifting through and reinventing our experiences
of desire thereby recreating reality. They are poetic gestures:
markers of internal wanderings and attempts to articulate a quivering
sense of self. Gallery 1
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Traditional lace making has always been a physical
process. The pattern is built stitch-by-stitch and round by round,
or row-by-row. Kennings work attempts to open this system through
a computer program that randomly generates evolving lace patterns,
examining the aesthetics of pattern and the systems of aesthetics.
Gallery 2
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A selection of South East Asian video works
that emerge from or explore situations where different cultures
intersect. Including ‘ReEnacting Rima’ by Victoria Cattoni
and ‘Where do you actually come from’ by Tintin Wulia.
Screening Room.
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Investigating the structure and aesthetic of global linguistic diversity and the threat of language extinctions through a series of
still and animated digital constructions. Gallery 1 & Screening Room
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A prolonged exploration into abstract painting as a "feminine" language, a single surface has been systematically reworked and the
process documented over a year's duration. Gallery 1
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A work compiled of a large collection of compressed web videos reconfigured into a personal format or 'self-codification'.
Rotoscoping is an animation technique whereby a transparent layer is placed above the original highly compressed video, a graphics tablet is then used
to trace onto the transparent layer. Gallery 2
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